#Anne elliot

[didanagy]

PERSUASION (2007)

dir. adrian shergold

[queen-paladin]

I love you "boring" female characters. I love you ingenues. I love you female characters who aren't "modern" enough. I love you female characters who aren't "badass" enough. iI love you female characters who aren't "empowering" enough. I love you quiet female characters. I love you unappreciated female characters. I love you polite female characters. I love you female characters who "can't appeal to modern audiences." I love you frightened female characters. I love you female characters labeled as not complex just for being nice. I love you female characters who get criticism just for not being their tomboy or femme fatale counterpart. I love you silk hiding steel trope.

[fawnilu]

💌-The Letter.

@janeuary-month

[firawren]

Persuasion 1995 text posts

More: Pride and Prejudice 1995 text posts | Sense and Sensibility 1995 text posts | Northanger Abbey 2007 text posts | Emma. 2020 text posts

[incognita-soul]

I've spent all afternoon thinking about the line from Wentworth's letter "you sink your voice, but I can distinguish the tones of that voice when they would be lost on others" and about how that really is the most important part of the letter. Yes "you pierce my soul" and "I have loved none but you" and "I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago" are all more swoon-worthy. But the whole point of Persuasion is how Anne suffers because none of her friends or family acknowledge her needs or anything she says. She is made small by everyone around her. She is persuadable because she has been stripped of her agency; not by the circumstances of her life, but because the people in her life have talked over and down to her so much that she has stopped resisting. She knows that she won't be heard, so she just stops speaking. But then Wentworth hears her voice! He hears her, sees her, and he loves her for who she is, not what he wants her to be. I think Jane Austen knew exactly what she was doing by including that line. It's so subtle in such a purposeful way.

Thanks for coming to my ted talk

[bethanydelleman]

Anne Elliot may be one of the more serious Austen heroines but remember when she's like, "Lady Russell is going to see Captain Wentworth and she's going to be so shocked and IN AWE that despite being in the navy all those years, he's still super hot."

She could thoroughly comprehend the sort of fascination he must possess over Lady Russell’s mind, the difficulty it must be for her to withdraw her eyes, the astonishment she must be feeling that eight or nine years should have passed over him, and in foreign climes and in active service too, without robbing him of one personal grace! (Ch 29)

That totally happened

[haaam-guuuurl]

[elmorinn]

Janeuary Day 6 - Restraint

@janeuary-month

THE scene from Persuasion but from Frederick's pov do i even need to say more

I will never not love this book D:

[adobongsiopao]

Amanda Root (Anne) and Ciaran Hinds (Captain Wentworth) in "Persuasion" 1995 version.

[smolfangirl]

We as a reader see Anne's and Captain Wentworth's love story play out, but imagine the whole thing from the perspective of Uppercross.

Anne is at Uppercross for two months

In these two months, they're barely interacting

You have no idea about the child incident, and you see nothing suspicious in the carriage one

They're barely talking to each other at best, he's colder to her than anyone else at worst (if you even notice)

They acknowledge to have known each other in the year six "a little". All of their behavior seems to confirm how irrelevant this acquaintance was

Everyone but Mary expects him to marry Louisa

After the fall, he disappears to his brother

Next thing you hear is that he's going to Bath

When you travel to Bath as well, you see Anne and Captain Wentworth together again

There's no suspicious behavior here, either

When Anne feels unwell after The Letter (that you don't know about, although it happened right in front of your salad), Charles walks her home, hands her off to Captain Wentworth to go see a gun, and suddenly they're engaged

????????

So much of Persuasion is dependent on knowing about their history together, of knowing each other in a way no one else does. And so if you missed all that, their engagement takes you by complete surprise, while it's only a natural conclusion to us as the knowing reader

[alasforher]

I offer myself to you again with a heart even more your own than when you almost broke it

[didanagy]

PERSUASION (2007)

dir. adrian shergold

[jomiddlemarch]

A handkerchief of her own sewing

Rings and jewels are not gifts, but apologies for gifts. The only gift is a portion of thyself. Thou must bleed for me. Therefore the poet brings his poem; the shepherd, his lamb; the farmer, corn; the miner, a stone; the painter, his picture; the girl, a handkerchief of her own sewing.-- Emerson

Year One

Anne hemmed a dozen handkerchiefs with her monogram and hand-tatted the lace to edge each square. She ruined the first one weeping, burned it instead of letters, as she had none from him.

Lady Russell did not comment on the fact that her dozen was short. She insisted Anne buy a new bonnet, one trimmed with pink ribbon.

Year Two

Anne hemmed a handkerchief while Elizabeth complained about the number of Naval officers at Lady Vincent’s ball. Anne counted stitches instead of Elizabeth’s complaints, knowing her sister would exceed the capacity of her thread.

Year Three

Anne embroidered the handkerchief for Mary to carry to her wedding. Charles had waited six months before proposing, long enough for a respectable courtship. He’d found Anne alone once and said You’re certain, Nan, it isn’t too late, but she’d known she wasn’t ruining anyone life when she said no.

Year Four

Anne kept an extra handkerchief in her reticule when she visited Uppercross. Mary fretted that there were draughts in every room and the fires all smoked, Cook used too much pepper and the yellow paper in the sitting room would make a blind man’s eyes water. 

Mrs. Musgrove patted Mary’s hand and smiled at Anne. They had all expected Mary’s first confinement to be a bit difficult.

Year Five

Anne sewed handkerchiefs for the housekeeper Mrs. Cadell to distribute to all the staff. It was a bad year for the grippe. Her father instructed her to economize and then ordered a case of the best Madeira.

Her own handkerchiefs had ceased to be used for tears.

Year Six

Anne gave her nephew Charles his first handkerchief, his name spelled out in bright red silk. He wore it as a hat more often than attending to his nose. Mary lay on a chaise with a handkerchief soaked in cologne laid across her eyes, vowing that she had never felt so ill in her life and insisting Anne hand her another comfit.

Francis Musgrove weighed ten pounds when he was born.

Year Seven

For her birthday, the vicar gave her a silver thimble in appreciation for all the girls she’d taught and all the handkerchiefs and shirts she’d sewn for the poor. When Anne put it on, she saw her hands had begun to look old.

She took the thimble off and touched the base of her finger where Frederick had promised to put a rose-cut diamond as bright as her eyes.

Year Eight

Captain Wentworth offered a handkerchief to Henrietta Musgrove after her sister’s injury. Anne saw the faded monogram in the corner, pale blue after many launderings, remembered how solemn he’d been when he’d asked her to give him a token of her esteem, how he’d grinned when she’d handed it to him, as carefully folded as a flag.

Anne swallowed her tears.

Year Nine

Anne hemmed a dozen handkerchiefs with her monogram and hand-tatted the lace to edge each square. From the bow of the ship, she waved the delicate article, the sails billowing behind her. Frederick’s hand was warm at her waist and he murmured I’ve got you, madam, make no mistake.

The tears in Anne’s eyes she blinked away.

Written and posted (a day late, hopefully not a dollar short!) for Janeuary 2025 @janeuary-month for prompt: handkerchief

[fawnilu]

Oh to be jealous and in love in Bath💕

@janeuary-month

[mellpenscorner]

A Ranking of Jane Austen Heroines, in Ascending Order of Culpability

Fanny (Mansfield Park): Has done nothing wrong ever in her life (but would never say this as she is far too humble).

Elinor (S&S): Must have scoliosis from carrying the whole weight of the Dashwood family at the ripe old age of 19. Should probably have asked for help by now, but who's she going to ask? Her mother? Unlikely.

Anne (Persuasion): Pros: is the only functioning member of her family. Cons: took some really bad advice when she was 17.

Elizabeth (P&P): So dead-set on hating Mr. Darcy that she falls hook-line-and-sinker for the lies Wickham tells her with no questions asked. Otherwise has good sense.

Marianne (S&S): Throws herself headlong into the Romantic Experience™️ and gets her heart broken by a playboy when Colonel Brandon is literally RIGHT THERE. 

Catherine (Northanger Abbey): Good-hearted, but easily led astray. So obsessed with Gothic novels that she kind of accuses Mr. Tilney's father of murdering his wife and burying her in the basement.

Emma (Emma): Tells Harriet to refuse the nice guy she likes, too prideful to see that Mr. Elton is pursuing her instead of Harriet, gossips about Jane Fairfax, feels like the rules don't apply to her, won't listen to Mr. Knightly. Is a menace.

[cottagecore-raccoon]

The more I think about it, the more I think that Persuasion has my favorite premise of all of Jane Austen's novels

Anne Elliot as a character speaks to my soul. She feels tremendous guilt for a decision she made eight years ago. Her life is lonely, as she doesn't really have anyone she can truly confide in despite being surrounded by people. So she swallows her pain, the yearning she feels deep in her soul, and vows that if nothing else at least she'll be helpful.

And of course she is reunited with Frederick Wentworth (the one that got away) who seems to hate her now, and she just keeps going. She keeps being kind and supporting her loved ones while slowly carving out a life for herself. There's something about her classic heroism that just feels so attainable. I don't have Elizabeth Bennett's wit, or Jane Bennett's unwavering belief in the goodness of everyone, or even Elinor's constant composure. But I can be like Anne and just keep moving forward attempting to be helpful

Of course it all works out in the end, and Anne is finally surrounded by people who truly appreciate her, even if she had to wait an extra eight years. Others have observed the fairy tale quality of the ending, and perhaps that's why it speaks to me. The idea that if you just keep doing your best and being kind, you'll eventually find happiness